Morrison explained that selecting a summer production involves much more than simply choosing a favorite show. The production team considers casting opportunities, audience appeal, musical challenges, and the strengths of returning performers before making a final decision. The Lion King Jr. stood out because of its recognizable name, memorable music, and flexibility in casting. The show also introduces students to singing in another language while providing a variety of roles that can be adapted to fit the performers available each season.
Beyond the production itself, Morrison said one of the most rewarding aspects of directing is watching students develop both on and off the stage. She reflected on seeing young performers grow in confidence, creativity, and leadership as they return year after year. For Morrison, helping students find their voice and become comfortable expressing themselves is one of the most meaningful parts of the experience.
Gaumer was cast as Rafiki, one of the show’s most recognizable and energetic characters. She shared her excitement about taking on a role that allows her to be loud, expressive, and full of personality. The character’s humor and larger-than-life presence have made the role especially enjoyable as rehearsals continue.
Sagel takes on the iconic role of Simba. His experience is somewhat unique because the production features both a younger and older Simba. For part of the show, he performs as an ensemble member before transitioning into the lead role later in the story. That dynamic has created an interesting connection between him and the younger performer portraying Simba, helping build continuity throughout the production.
The discussion also highlighted the intense rehearsal schedule that defines the summer theater intensive program. Students rehearse four days a week for four weeks before moving into Centennial Auditorium at Sterling High School for technical rehearsals and performances. The transition from the rehearsal space at Woodlawn Arts Academy to the large auditorium stage presents new challenges, including adapting to set pieces, lighting, sound equipment, and the full scale of the performance venue.
Both students acknowledged that every production brings different challenges when moving to the larger stage. While learning new blocking and adjusting to technical elements can be demanding, the cast has developed a reputation for adapting quickly and embracing changes as they arise.
Morrison praised the cast’s dedication and preparation, noting that many performers arrived with lines memorized and strong understandings of their characters before rehearsals officially began. That commitment has helped the production move forward quickly despite the condensed schedule.
The episode concluded with a special performance of a scene from The Lion King Jr., giving listeners a preview of the talent and energy audiences can expect when the curtain rises.
Performances of The Lion King Jr. will take place Friday, June 26, and Saturday, June 27, at 7 p.m., along with a Sunday matinee on June 28 at 2 p.m. at Centennial Auditorium in Sterling. Tickets are available now through Centennial Auditorium’s website, centennialauditorium.org.
As opening night approaches, Morrison believes audiences will be impressed by the hard work and talent displayed by the young cast. With powerful music, beloved characters, and weeks of dedicated preparation behind them, the performers are ready to bring the Pride Lands to life.
Along the Rock is produced by the Radar Free Press. The Radar Free Press is free to the public and relies on community support through likes, shares, and comments.
If you have any questions for recurring guests or episode ideas, please email us at alongtherock@theradar.online.
